Before I start Iâ€™d like to preface two things as to not elicit any arguments.
First of all, Iâ€™m a long time Star Trek fan. I grew up on it and have enjoyed all the series and the majority of the films. Secondly, I do enjoy J.J. Abrams reboot of the series. Iâ€™m more interested in what makes a good film rather than what fits in with the canon of an established series.
So that said, letâ€™s get started. Oh, and one more thingâ€¦.
Big, massive, epic SPOILERS ahead! We will be talking about a few major plot revealers so if you havenâ€™t seen the movie and want to be surprised, read no further. Donâ€™t say I didnâ€™t warn you.
Star Trek Into Darkness was a fun, exciting, action-packed, sci-fi movie that will go down as one of my favorite films. That said, no movie is without fault and there is one major mistake that I feel STID made. Itâ€™s a mistake that many films have made and STID is just one of the most recent films to make this mistake. It is the mistake films make when they rely on information from the filmsâ€™ past series or other narrative forms to drive key plot points. Allow me to explain.
In Star Wars Episodes I-III, we are expected to care about Anakin Skywalker not because of who he is but because of what he will be. Darth Vader was a pivotal character in the original trilogy but if we take that away, there is a major gap in the plot of the prequel trilogy. The moment in Episode III where Anakin is placed within the Darth Vader armor and rises to his reveal is very chilling. Everything is leading up to this moment, but itâ€™s because we know of Darth Vader from a different set of films. Take that away and you have a rather annoying brat whoâ€™s screaming because he just lost a battle he shouldnâ€™t have fought.
In the Harry Potter series, viewers are constantly left in the dark because of major story plot points that are only revealed in the books. I personally hadnâ€™t read the books and as we were watching the Deathly Hollows Part II, I kept remarking about things that didnâ€™t really make sense. My sister-in-law, who was there with us, paused the movie to explain things that she remembered from the booksâ€¦things I would label as key plot points that were necessary to understand to truly enjoy the film.
Star Trek Into Darkness commits this film sin during two key points. The first is when Khan is revealed. Those who know Star Trek will know thatÂ KhanÂ was one of the greatest villains in Star Trek history. He was ruthless, intelligent and a true nemesis for Kirk. But in STID, he simply starts off as a bad guy. The crew doesnâ€™t know who he is yet and his presence only adds tension because it is implied that the audience should know who he is. In fact, any bad guy could have done all the things he did in the film without dramatically affecting the overall story.
The second time this happens is during the death scene of Kirk. Kirk reveals why he couldnâ€™t let Spock die at the beginning of STIDâ€¦because they were friends. Now anyone who knows Star Trek knows the long time friendship that Kirk and Spock had during the Original Series and the early movies. The years in service together and the constant moments of putting their life in each otherâ€™s hands created a strong bond of friendship between them. But at the beginning of STID, they really donâ€™t have that much history together. We see them starting to get along at the end of the previous film and then we are supposed to believe now that they are the bestest of friends.
When Spock dies at the end of Star Trek II: The Wrath ofÂ KhanÂ this was an incredibly emotional moment. Their friendship was known by the audience and was alluded to several times during the film. But in STID, we donâ€™t have the same relational build up. The emotion that the Abrams was trying to capture from TWOK was somewhat lost in STID.
All that said, I felt the actors did an amazing job with the script and the story was still very solid, even if it was essentially a super-expensive fan-film.
What can we learn from this?
Well many young writers fall into the trap of not allowing for or creating the proper amount of character development to make the emotion they want to convey in their film believable. A key thing for any storyteller to focus on is character background. Provide the proper amount of background and character development so that your audience can have all the necessary pieces of the filmic puzzle to truly care about your characters.