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	<title>camera gear | NextWaveDV</title>
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		<title>VizTools: HandiZoom DSLR Shooting Solution for ENG</title>
		<link>https://www.nextwavedv.com/viztools-handizoom-dslr-shooting-solution-for-eng/</link>
					<comments>https://www.nextwavedv.com/viztools-handizoom-dslr-shooting-solution-for-eng/#respond</comments>
		
		<dc:creator><![CDATA[John Reed]]></dc:creator>
		<pubDate>Fri, 13 Apr 2012 22:21:04 +0000</pubDate>
				<category><![CDATA[Archived Content]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[camera gear]]></category>
		<category><![CDATA[Canon 5D MkII]]></category>
		<category><![CDATA[ENG]]></category>
		<category><![CDATA[focus]]></category>
		<category><![CDATA[HandiZoom]]></category>
		<category><![CDATA[HDSLR]]></category>
		<category><![CDATA[rig]]></category>
		<category><![CDATA[video]]></category>
		<category><![CDATA[VizTools]]></category>
		<category><![CDATA[Zoom]]></category>
		<guid isPermaLink="false">https://www.nextwavedv.com/?p=2005</guid>

					<description><![CDATA[With the need to shoot on the fly for ENG or situations that only allow for a quick shot such as concerts or other events, the VizTool HandiZoom looks to be an exciting answer to the DSLR shooter issues with focus and zoom while staying compact and on the fly. It seems to adopt the [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>With the need to shoot on the fly for ENG or situations that only allow for a quick shot such as concerts or other events, the VizTool HandiZoom looks to be an exciting answer to the DSLR shooter issues with focus and zoom while staying compact and on the fly. It seems to adopt the same functionality of the controls of a basic video camera with the ability to adjust single handed.</p>
<p>&nbsp;</p>
<p><iframe src="http://www.youtube.com/embed/PiqT4gVEa0s" frameborder="0" width="600" height="335"></iframe></p>
<p>&nbsp;</p>
<p>Seems to be a great solution, although no pricing has been announced yet. With that said, we would like to hear from you on what you think a realistic price range should be on the HandiZoom.</p>
<p>For more information:<a title="VizTools HandiZoom" href="http://www.viztools.tv" target="_blank" rel="noopener">Â http://www.viztools.tv</a></p>
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		<title>Camera Gear: DIY vs. Buy</title>
		<link>https://www.nextwavedv.com/camera-gear-diy-vs-buy/</link>
					<comments>https://www.nextwavedv.com/camera-gear-diy-vs-buy/#respond</comments>
		
		<dc:creator><![CDATA[Tony Reale]]></dc:creator>
		<pubDate>Tue, 15 Nov 2011 18:09:24 +0000</pubDate>
				<category><![CDATA[Archived Content]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[camera gear]]></category>
		<category><![CDATA[DIY]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[tools]]></category>
		<guid isPermaLink="false">https://www.nextwavedv.com/?p=1760</guid>

					<description><![CDATA[The decision that every filmmaker has wrestled with: Should I buy gear or try building it myself. Whether it&#8217;s a camera rig, dolly, jib&#8230;the choice is always looming in your mind. I&#8217;ve gone down both roads&#8230;starting off by building my own jib and a few years later purchasing a Kessler Crane kit (which to date [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>The decision that every filmmaker has wrestled with: Should I buy gear or try building it myself. Whether it&#8217;s a camera rig, dolly, jib&#8230;the choice is always looming in your mind. I&#8217;ve gone down both roads&#8230;starting off by <a href="https://www.nextwavedv.com/how-to-build-a-camera-jibcrane/" target="_blank" rel="noopener">building my own jib</a> and a few years later purchasing a Kessler Crane kit (which to date has been my largest camera gear investment).</p>
<p>Thankfully, the answer really boils down to a three main factors&#8230;</p>
<p><strong>Budget:</strong></p>
<p>Your budget will drive the largest part of the decision making process. <em>If you don&#8217;t have the cash, you can&#8217;t buy it!</em> But you may have the option to save your pennies up for the gear of your dreams. Either way you need to decide how far your funds can go. The old saying still holds true: <em>Buy cheap, buy twice. Buy good, buy once.</em></p>
<p><strong>Time:</strong></p>
<p>Time is one of the biggest factors for my decision to purchase real camera gear. When you have DIY camera gear being held together by duct tape, drywall screws, 2x4s and PVC pipe, the reliability of the gear is in question. Setup and take down usually takes longer. Possibility of damage is always around. But most importantly, DIY gear has a certain level of uncertainty for whether you will be able to &#8220;get the shot&#8221;. What I mean is, when you are doing a shot with DIY gear, there may be unexpected wobbling or you may have a hard time getting a smooth, clean shot. Also the odds of repeating a shot perfectly are even less. Simply what it boils down to is: <em>If you have more time than money, DIY may be the best option. If not, invest in quality gear.</em></p>
<p><strong>Professionalism:</strong></p>
<p>As conceited as it may seem, the way you look on set is important. If you are trying to be a professional filmmaker or video producer and you show up with some plywood, roller skate wheels and PVC pipe, your client may get a little worried. That isn&#8217;t to say that there is no place for that. If you are shooting a low cost video and you already have a relationship with your client, they may understand that they are saving money by you using DIY gear. But if the client is paying hundreds and thousands of dollars for a high quality production, don&#8217;t think you&#8217;ll get called back for a second job if you roll in with your latest hardware store creation.</p>
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