I constantly see training on how to get the “film look” while color grading and color correcting footage, the problem is most people go about the process the wrong way. Instead of a filmic look, they end up with crushed blacks and blown out whites.
While down at Cine Gear Expo, I interviewed Technicolor about their CineStyle preset for the Canon 5D MkII. While getting setup for the interview, I asked one of the guys his technique for color grading. He showed me a new way to manipulate video that I think is much better for filmmakers.